Artists

Callum Innes

Artist
1962, Edinburgh UK

Work

Exposed Painting Green Lake
  • 2012
  • oil on canvas
  • 180 x 175 cm
  • 2013.CI.01
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Mars Black / Titanium White
  • 2013
  • watercolor on paper
  • 56 x 77 cm
  • 2014.CI.05
Exposed Painting Lamp Black
  • 2011
  • oil on canvas
  • 125 x 121 cm
  • 2015.CI.09
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Untitled No. 7
  • 2016
  • oil on linen
  • 100 x 98 cm
  • 2016.CI.13
Transparent Orange / Delft Blue
  • 2013
  • watercolor on paper
  • 56 x 77 cm
  • 2014.CI.02
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Opera Rose / Pthalo Green
  • 2013
  • watercolor on paper
  • 56 x 77 cm
  • 2014.CI.06
Untitled No. 3
  • 2016
  • oil on linen
  • 100 x 98 cm
  • 2016.CI.10
Zonder titel (uit de serie Cento)
  • 2016
  • oil on oil paper
  • 90 x 75 cm
  • 2019.CI.14
Maroon / Sap Green
  • 2013
  • watercolor on paper
  • 56 x 77 cm
  • 2014.CI.03
Opera Rose / Gold Green
  • 2013
  • watercolor on paper
  • 56 x 77 cm
  • 2014.CI.07
Untitled No. 5
  • 2016
  • oil on linen
  • 100 x 98 cm
  • 2016.CI.11, GIFT OF THE ARTIST
Carmine Light / Windsor Yellow
  • 2013
  • watercolor on paper
  • 56 x 77 cm
  • 2014.CI.04
Scarlet Lake / May Green
  • 2013
  • watercolor on paper
  • 56 x 77 cm
  • 2014.CI.08
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Untitled No. 6
  • 2016
  • oil on linen
  • 100 x 98 cm
  • 2016.CI.12
Callum Innes began exhibiting in the mid-to-late 1980's and in 1992 had exhibitions at the ICA, London and the Scottish National Gallery of Modern Art, Edinburgh. Since then he has emerged as one of the most significant abstract painters of his generation, achieving widespread recognition through major solo and group shows worldwide. Innes makes work in a number of different ways, all of which are gradually evolving. The shifts that appear from one series to the next are rarely dramatic, but each new painting builds on those that have gone before in a subtle but constant progression. His characteristic form of coolly atmospheric abstraction has aptly been described as 'unpainting', given that key compositional elements are generally produced, not by the application of paint, but through its removal by washes of turpentine. Each finished painting thus suggests a freezing in time of the otherwise momentary arrest of an ongoing process. The play between the additive and subtractive process, the making and unmaking, underlies this sophisticated body of work. You Tube: studio visit Callum Innes (TateShots)

Exhibitions

Exhibition Callum Innes

I’ll Close My Eyes

15 Oct 2016 26 Feb 2017